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The Garden Of Jane Delawney Transcription by Steve Barfield.
Guitar is tuned D G C F A D (low to high) Intro ----- |------------------------2-R----------------------2-R-| |------------------------3-A----------------------3-A-| |---------2-4-5-4-2-0----2-K-------2-4-5-4-2-0----2-K-| |-0-4h5p4-------------4--0-E-4h5p4-------------4--0-E-| |--------------------------¯------------------------¯-| |-----------------------------------------------------| |----------------------2-R----------------------------| |----------------------3-A----------------------------| |-------2-4-5-4-2-0----2-K-------2-4-5-4-2-0----------| |-4h5p4-------------4--0-E-4h5p4-------------4--------| |------------------------¯----------------------------| |-----------------------------------------------------| Chord structure --------------- |----3------2-------------------3------2-----3------2-| |-----------------1-----5-----------------------------| |--4------4------0-----5------4------2-----4------2---| |-2-------------------7------2------------2-----------| |-------2------3-------------------2------------2-----| |-----------------------------------------------------| |----3------2-------------------3------2--------------| |-----------------1-----5--------------------1-----5--| |--4------4------0-----5------4------2------0-----5---| |-2-------------------7------2-------------------7----| |-------2------3-------------------2------3-----------| |-----------------------------------------------------| (*) |------3------2-----3------2--------------------------| |----------------------------------X2-----------------| |----4------2-----4------2---------THEN---------------| |---2------------2-----------------GO TO--------------| |---------2------------2-----------INTRO--------------| |-----------------------------------------------------| This chord routine carries on for the majority of the song until the final verse where there is a slight change. The verse is played as normal but from the point marked (*) the routine starts back at the beginning to run through to the end. This song can sound equally as effective (if not more) when played up at the seventh fret using the Em chord then a barred C on the third fret and the Am on the fifth. Obviously this is only the basic structure of the song and there are lots of fills played all the way through which are too numerous to tab out but the fun is in jamming them in. Symbols ------- H = hammer on P = pull off Feel free to email any corrections or comments.

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